Rosetta launched in 2004, but didn't fully enter our hearts and minds when it rendezvoused with its target in mid-2014 and began sending back some of the most incredible images of this strangely beautiful rocky interloper.
Browsing through ESA's Rosetta gallery reminds me just what an amazing time we live in. Humans banded together to create the dream, the technology, and the means to not only build and launch a spacecraft to a comet, but one that could orbit it, send down a lander, and then later descend to the surface itself.
Every single image is worth contemplating in detail if you have a quite moment, but here are just a few of my favorites.
October 19, 2014: As Rosetta approached the comet in the summer of 2014, scientists saw the comet had a very irregular shape, instead of one lumpy body, it looked more like two stuck together. In fact, the closer Rosetta got, the increased resolution in images revealed it to be shaped like a rubber duck. This image is looking from the "head" of the duck towards the "body." (Credit: ESA/Rosetta/NavCam – CC BY-SA IGO 3.0)
January 22, 2015: Comet 67P from a distance of 27.9 km above the surface looking at the "neck" area of the duck. The Hathor cliffs are to the left and the Hapi region strewn with boulders are just right of center. (Credit: ESA/Rosetta/Navcam – CC BY-SA IGO 3.0)
July 26, 2015: When Rosetta first reached Comet 67P, it was far enough away from the Sun that it wasn't yet "active". But as it continued toward the inner solar system, the Sun's heat caused the ices on the comet to warm and sublimate (go directly from solid to gas). This activity is what gives comet's their characteristic comas and tails. Comet 67P was too small to produce a large observable tail in the popular sense, but Rosetta go a great look at its many outgassing events. (Credit: ESA/Rosetta/MPS for OSIRIS Team MPS/UPD/LAM/IAA/SSO/INTA/UPM/DASP/IDA)
September 30, 2016: Rosetta took a few last photos during its final approach. This is from roughly 16 km above the surface, captured overnight (at least for this New Yorker). (Credit: ESA/Rosetta/MPS for OSIRIS Team MPS/UPD/LAM/IAA/SSO/INTA/UPM/DASP/IDA)
September 30, 2016: A collage of images of Rosetta's targeting landing site as it continued to descend. (Credit: ESA/Rosetta/MPS for OSIRIS Team MPS/UPD/LAM/IAA/SSO/INTA/UPM/DASP/IDA)
September 30, 2016: Rosetta's final photograph. Scientists estimate this is approximately 20 meters above the surface. (Credit: ESA/Rosetta/MPS for OSIRIS Team MPS/UPD/LAM/IAA/SSO/INTA/UPM/DASP/IDA)
There's a sign at NASA's Jet Propulsion Laboratory that reads "Dare Mighty Things". I always think of that when celebrating amazing feats like Rosetta. Go big or go home. Rosetta went big and now its at rest in its new home, riding through the Solar System on what is probably the best roller coaster ever.
Slow Factory’s Fall 2016 Collection is inspired by all the women behind great scientific progress. Growing up, girls are not exposed enough to female role models in fact, in 2016 a survey asked children to draw draw a firefighter, a surgeon, and a fighter pilot to which the students drew 66 pictures in total -- but only five of them depict women. Inspired by the movie Hidden Figures about the life of Katherine Johnson, Slow Factory created 8 scarves, each celebrating a woman who inspires in her own right:
Here are the 8 women we printed for Fall 2016
Katherine Johnson, American physicist, space scientist, and mathematician.
Amelia Earhart, American aviation pioneer and author.
Kathryn D. Sullivan, American geologist and a former NASA astronaut. A crew member on three Space Shuttle missions, she is the first American woman to walk in space.
Mae Jemison, American physician and NASA astronaut. She became the first African-American woman to travel in space.
Margaret Hamilton, Director of the Software Engineering Division of the MIT Instrumentation Laboratory, which developed on-board flight software for the Apollo space program.
Nancy Roman, American astronomer who was one of the first female executives at NASA.
Christa McAuliffe, American astronaut, one of the seven crew members killed in the Space Shuttle Challenger disaster.
Jan Davis & Mae Jemison, Astronauts Dr. N. Jan Davis (left) and Dr. Mae C. Jemison (right) were mission specialists on board the STS-47 mission.
(Still from our documentary, Are We There Yet, shot in the Lebanese refugee camps to document our work with our give back partners the American Near East Refugee Aid - ANERA.org thanks to the flash grant we receive as part of the Shuttleworth Foundation). The documentary is being edited as we speak in Beirut, Lebanon and we are so excited to be sharing our work with you all soon!
The wholesale model of fashion sales and distribution is crumbling. For larger brands, full vertical integration is the way to make brick-and-mortar stores work (think Uniqlo, Zara/Mango etc), while for smaller or newer labels, thin margins are pushing many brands to go online-only and often aggressively push new types of marketing or business models (eg. Everlane, Warby Parker).
We will now be stopping all wholesale for a number of reasons, and want to be vocal and clear about why.
Pricing is of course a consideration, but perhaps surprisingly not the main one. When you sell to stores or distributors, you essentially sell at half the price that you would sell directly to a person. This is due to ‘markup’ and the overhead of “middlemen”, and is a big part of what makes consumer goods cost so many times more than it takes to produce them. Payment schedules also mean that small designers have to pay up front to produce goods, then wait many months to get paid back which can be hard for small businesses. But all this financial stuff has known solutions.
The main reasons Slow Factory is going to sell online-only are about our philosophy of sustainability, and working against the disposable concept of fashion.
Selling through stores and distributors tends to perpetuate things that Slow Factory is actively fighting against. A really big gain we get from staying online only is to set our own timeline, to avoid the Fashion Calendar.
The Fashion Calendar
The fashion calendar encourages a few really bad behaviours:
It pushes the idea of constant change, “planned obsolescence” and literal disposability of clothing and accessories. The constant over-consumerism mindset.
At the height of “fresh” clothes, prices need to be very high to absorb all the costs of middlemen. Pricing is also set knowing that stores give deep discounts as things go off-season, a phenomenon which encourages distrust between brands and consumers. If we see a major pendulum swing from high prices to massive discounts, buyers feel that “only suckers pay full price”, and don’t trust the value and cost of goods produced with more ethical practices.
Cheap materials and production: there are clear environmental costs of using cheap materials and production methods; notwithstanding the very expensive Green Washing Marketing campaigns from H&M to Uniqlo, Fast Fashion is still the second most polluting industry right after Big Oil.
Cheap production through cheap labour: let’s not forget about the very real human costs of using exploitative labour practices; sweatshop and industrial labour in the “developing” world are still major issues, often hitting women the hardest.
When advocating for a slow fashion movement and more sustainable industry one has to walk the talk and stand with integrity with their vision. For our 2017 plan we will be revisiting or pricing structure, removing the wholesale markup we will be offering our customers our wholesale prices directly online.
Cady Lang works at Time’s Newsfeed vertical, where she covers pop culture, focusing on topics ranging from fashion to music. Her first love was and always will be fashion, which is where she got her start in journalism, working at outlets such as Vogue Runway and Stylecaster. Read her interview with Naomi Campbell and Edward Enninful, and her piece on the style of the 2016 NBA draft as part of her ongoing interest in fashion as a larger extension of culture.
Tessa Crissman is a handmaker and entrepreneur based in Denver, Colorado. She makes hammered wire jewelry and knitted and crochet wearables for summer and winter which you can buy online at her Etsy store Wool and Hammer. She also works as a craft party host at Wool and The Gang, which focuses on making high fashion knitwear sustainable and affordable. Shop Wool and Hammer
Two of your favorite conscious companies — THINX & Slow Factory have partnered together for a hyper-limited edition collaboration called Distrupting Spaces, a celebration of menstruation's ties to the moon. Slow Factory created a custom full moon print that sits on the front of THINX's Hiphugger (two tampons worth) & Cheeky (one tampon's worth) styles. The synergy between brands is cosmic — with THINX's sustainable period underwear leading the pack on eliminating pad & tampon waste, & Slow Factory's commitment to a supply chain that's 100% clean and fair trade. Both brands are also deeply entrenched in their respective giveback missions — THINX partners with AFRIPads, an on-the-ground organization in Uganda that provides reusable menstrual kits to girls in Uganda, and Slow Factory supports various environmental and humanitarian causes.
I wrote my very first personal essay on Refinery 29. Would love your feedback!
This is the picture of our refugee status back in the 80's when we escaped Lebanon's civil war. It is among the few pictures from my past that we managed to save. Notice how my mom looks amazing while probably inside her is a tornado of feelings.
My earliest memory is fleeing war-torn Lebanon when I was three and a half years old. My father had safely made it abroad and was waiting for my mother, my younger sister, and me to join him, holding on to hope that he’d see his family once again. As we said our good-byes, I remember the wet kisses from our relatives; I remember the sobs and the tearful wishes for our uncertain future. We were leaving our homeland as refugees, hoping to re-establish the meaning of “home” somewhere safe.
A photo posted by Slow Factory (@theslowfactory) on
The time comes in every company when great employees need to go their own way and experience new things. I find it bitter sweet and am trying not to be too sad to see our lovely Amina go! But at the same time I am so so proud of her and know she will impress and delight her new company.
So I'll take advantage of this happy and sad post to send a message out there into the universe that we are looking for someone to take over her position.
Slow Factory is looking for an HQ Manager
Qualities we are looking for:
- Good communication skills
You would be fulfilling orders, taking care of customer service as well as occasionally helping us with social media, photography, blog posts and other social media posts, designing random cool things. If you love snap chat? You're in for a lot of fun!
It was just weeks before Halloween, and I was diligently searching for the perfect galactic accessories to accompany the silver metallic dress I had just purchased. I hopped on Pinterest to see what I could find, scrolling though interstellar make-up designs and sparkly tights. But alas, I saw something that really took my breath away.
The sheer, beautiful star-printed globular cluster scarf would be perfect for my costume – and everyday wear too! I excitedly clicked on the picture that then led me to Slow Factory’s website. At the time, Slow Factory was promoting different collections that included many different prints of galaxies, clusters, and nebulas. I looked at every product on the website and became infatuated instantly.
If you’re reading this article, you probably know at least a little about this company, so I’ll spare some details. But as I was surfing every last pixel of Slow Factory’s site, the social mission blew me away. This company is the “trailblazer in fashion meets human rights” as founder Céline Semaan later told me. Few companies with such a strong rooted purpose exist, let alone with product lines near as whimsically beautiful as Slow Factory’s. I read every blog Céline posted on the website and searched the origins of the company. I read everything I could about Slow Factory – my connection was immediate and strong. Maybe this was a result of the way my father always talks about the stars. Ever since I was a little girl, he would spew out facts about outer space, black holes, and galaxies far away. We still hunt down constellations at night, wait hopefully for shooting stars, and follow celestial events. I knew fate brought me here.
I followed Slow Factory on all media platforms and regularly checked the website for new products and blog posts from Céline. Her independence, unique creativity, and fearlessness inspired me. She created this company from the ideas that organically manifested in her mind, inspired by her passion for design and social responsibility. She is a boss lady and no one can refute that. As a woman, I have looked up to her as a role model for all she has accomplished and her strong will to succeed with what she sets her mind to.
So I decided to email her and tell her just that. I wanted to part of the sustainable company that thrives on innovative fashion that supports humanitarian and environmental causes. I told her a little bit about myself, how I found Slow Factory, how I purchased some scarves as Christmas presents, and how I would love nothing more than to work for a such a driven company and motivated female boss. We emailed back and forth for a little bit in January, but it was hard to keep in touch and establish goals or objectives. The company was seeing great growth, and Céline was busy with her second child, so nothing materialized at the time.
Months passed and I was sitting in class a week before Spring Break checking my email. My eyes stopped and fixated on Slow Factory’s newsletter heading: Headquarter Opening Event. I clicked on the email and starting reading how Slow Factory was opening its HQ out in Brooklyn and anyone was welcome to come celebrate. Its grand opening was happening over my Spring Break, and some gut feeling inside was telling me I HAD to be there. I wanted to see the beauty of the company unfold and meet the team behind the ingenious designs. Initially, I was going to go home to Nebraska, but the idea of going to New York was infinitely more appealing.
With a little finagling and flight changing, all of my accommodations were booked within 24 hours of reading the email. I emailed Céline and told her I would be in town, asking if she would have time to meet outside of the event. She was excited to hear from me again, and we set up a time a few days after the HQ opening. I was absolutely ecstatic.
I flew to New York with an exhilarating energy pervading my whole body. The day of the event arrived, and I recruited my dear friend from the area, Aidan, to come with me. We met at Union Station, all dressed up and ready to attend the event that ultimately brought me to New York. We pulled out our iPhone maps and navigated our way to the address on the email invite. My heart was pounding so fast as we walked up to a beautiful space populated with Slow Factory friends and family. The “We Are Home” collection was on display for the first time. Everyone was so happy and expressed their sincerest congratulations for Céline, celebrating this huge milestone for Slow Factory. I only briefly said hello to Céline at the event, as we were to meet in a few days, but she was glowing was a humble radiance, grateful for those that attended this wonderful event.
A few days later I went back to the headquarters in Brooklyn, alone this time. I arrived early and anxiously waited for Céline outside the store. After a few minutes, I saw her walking up, pushing her new baby in a stroller. What a powerwoman, I thought. She made us tea and put some little cookies on a plate for us to munch on. My memories and feelings from this meeting are so vivid. The feeling of sheer awe washed over me – it was hard to believe I was sharing the same time and space with this woman. I asked her all the questions I always dreamed of. I got to know her and how she got to where she is. I also handed her my resume and told her that if I was going to be in New York for the summer, I would love to help her out on a part time basis. We talked about different objectives and short-term and long-term goals. And as we wrapped up, she gave me a scarf imprinted with an aerial image of New York lit up at night. “It’s so cold out there,” she said as she draped the luxurious silk around me. “There. That will keep you warm.” I could’ve cried I was so happy.
In brief, we continued to email back and forth for a bit until things were finalized and we could set a start date for us to meet again when I arrived in New York for the summer. So here I am in my cozy, little apartment in New York writing about how I somehow ended up in this city at Slow Factory. The stars brought me here, and I am eternally grateful for their unwavering positive light and wise direction.